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Exploring Machine Intelligence to Reimagine Architecture and Urban Environments

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Inspired by Science Fiction to Question Machine Memories and Intelligence

I'm Refik Anadol, a media artist who uses data as a pigment and paints with a thinking brush assisted by artificial intelligence. Using architectural spaces as canvases, I collaborate with machines to make buildings dream and hallucinate. My inspirations and questions about machine intelligence and memory started when I was a child growing up in Istanbul watching Blade Runner.

In the film, I was mesmerized by the stunning architectural vision of the future Los Angeles. But one scene stuck with me - when the android Rachael realizes her memories are not actually hers. This inspired me to question what it means for an AI to have someone else's memories in the 21st century. Can machines like androids and AIs only be as intelligent as we allow them to be through collaboration? What if they can learn or process memories - can they also dream or hallucinate?

Witnessing the Power of Imagination

I witnessed the power of imagination when I was eight years old watching Blade Runner on VHS. The vision of future LA became a staple of my daydreams. When I finally arrived in LA years later, I drove around looking for that world from the movie. While it didn't match my expectations, the question of what a machine could do with someone else's memories stuck with me and became an inspiration.

Questioning the Nature of AI Memories

I began to ponder questions about the nature of AI memories. If machines can process memories, can they make connections between multiple people's dreams and experiences? Does being an AI simply mean never forgetting anything? If so, isn't that revolutionary compared to our human effort to capture history across media? How far have we come since Blade Runner in regards to machine memory and intelligence?

Visualizing Data as a Pigment to Transform Urban Spaces

In 2014 I established my studio to explore using data as a pigment to embed media arts into architecture. I collaborated with various experts across fields on projects visualizing data in physical spaces.

One early project was Virtual Depictions, a public data sculpture in San Francisco. It depicted a fluid network of connections in the city using data like Twitter feeds. It showed how invisible data from everyday life could become a sensory experience in physical space. Data is only knowledge when experienced - it can take many forms.

Experimenting with AI to Augment Architectural Experiences

My studio also experimented with AI to reimagine architecture and augment experiences in built environments. We created kinetic data sculptures like Bosphorus using radar data to question our ability to recreate nature.

In Archive Dreaming, we used an AI to explore 1.7 million documents about Istanbul spanning centuries. Users could physically explore this vast knowledge archive in an immersive library space. Machine Hallucination generated new NYC images by hallucinating the city's photographic archives.

Celebrating and Understanding Human Memory Through Art

As we explored AI memory, I thought more about how human memories change over time. When my uncle got Alzheimer's, I created Melting Memories to celebrate remembering before it's lost. Using brain signal data, it visualized the materiality of memories as a tribute to my uncle.

I began seeing memories not as disappearing, but as melting and changing shape. With machine intelligence, we tried to understand and recreate this process of unstable, subjective human memory.

Enabling Iconic Buildings to Dream Through Data

In 2018, I collaborated with the LA Philharmonic to create a project for the Walt Disney Concert Hall's 100th anniversary. We used machine intelligence to process 77TB of archived data into projections on the building, allowing it to dream with decades of memories.

This project at an iconic Frank Gehry building in my adopted home of LA brought me closer to the idea of architecture from my childhood Blade Runner imaginings. The building came alive, dreaming with the data memories of an entire century.

Immersing Ourselves in Machine Intelligence to Expand Knowledge

Most recently, I created an immersive AI data universe using 30 years of TED talk transcripts translated across languages. The AI organized talks into conceptual clusters, revealing relationships between ideas and knowledge.

Being immersed in this data mind is what I think it means to be an AI today. We have an opportunity to train these machine minds to learn and remember beyond human limitations. My journey as an artist continues to be driven by questioning and reimagining human and machine intelligence through creativity.

FAQ

Q: How can data become an artistic pigment?
A: By visualizing hidden datasets like Twitter feeds or wind patterns as kinetic sculptures or ethereal paintings.

Q: What does it mean for a building to dream?
A: By processing decades of archived data and memories, we can enable buildings to 'dream' by projecting this data in innovative ways.

Q: How can AI augment architectural spaces?
A: Through immersive, interactive installations that reimagine how people experience and learn within buildings and cities.