Universal Audio's Unique & Affordable Hemisphere Microphones! | SD-3, SD-5, SD-7
TLDRIn this Anderson TV episode, Pete and Pedro from Universal Audio explore the new Hemisphere microphones, the SD-3, SD-5, and SD-7. These mics offer unique modeling capabilities, allowing users to change microphone characteristics post-recording with software. They discuss the mics' applications, from drums to guitars, and demonstrate how the Emisphere plugin can emulate different mic models, adjust proximity effect, and axis positioning for a customizable sound. The video shows an A-B comparison with traditional miking techniques, highlighting the value and flexibility of Universal Audio's affordable microphones.
Takeaways
- 🎙️ Universal Audio has released a new line of microphones called Hemisphere, which includes the SD-3, SD-5, and SD-7 models.
- 🛠️ The SD-3 is versatile and can be used for various instruments including drums and electric guitars.
- 🥁 The SD-7 is designed for capturing a wide range of sounds, from percussion to brass and guitars, with a focus on detailed and focused sound capture.
- 🔊 The SD-5 is specialized for low-end capture, making it ideal for kick drums and bass guitars.
- 🌐 Hemisphere microphones come with unique software that allows users to model and sculpt the sound post-recording.
- 🔄 Users can change microphone models after recording, similar to reamping a guitar amp, offering flexibility in sound design.
- 📈 The software includes features like proximity effect adjustment and axis control, which can refine the microphone's sound even after recording.
- 💾 The microphone models and software are free after registering the microphone with UA Connect.
- 🎛️ The plugin can be run natively or with DSP, utilizing Universal Audio's Apollo interface for real-time sound shaping.
- 💰 The new microphones are affordably priced, offering great value with prices potentially under $200.
- 📚 The script also discusses the importance of mic placement and how the Hemisphere software can enhance the recording experience.
Q & A
What is the main topic of the video?
-The main topic of the video is the introduction and demonstration of Universal Audio's new Hemisphere microphones, specifically the SD-3, SD-5, and SD-7 models.
What sets the Hemisphere microphones apart from traditional microphones?
-The Hemisphere microphones come with a unique software called 'Emisphere' that allows users to model the sound of different microphones, change proximity effects, and adjust polar patterns, providing more flexibility in sound shaping post-recording.
How does the Emisphere software work with the microphones?
-After recording with the microphone, the Emisphere software can be used to select the source microphone used and then access a 'locker' of different microphone models to emulate, allowing users to sculpt the sound further.
What is the purpose of the proximity effect in microphones?
-The proximity effect is the increase in bass response as the microphone is moved closer to the sound source. It can be used to add warmth and depth to the sound, and with the Hemisphere microphones, it can be adjusted even after recording.
How can the axis feature of the Emisphere software be used?
-The axis feature allows users to refine the sound of the recorded microphone by tilting it slightly or completely after recording, which can help in capturing different sound characteristics or adjusting the sound to better fit the mix.
What is the price range for the Hemisphere microphones?
-The price range for the Hemisphere microphones is under $200, which is considered very affordable given the capabilities they offer.
How does the video demonstrate the microphones' performance?
-The video demonstrates the performance of the microphones by recording a guitar amp with both the traditional setup and the Hemisphere microphones, then comparing the sounds and showing the effects of using the Emisphere software.
What is the significance of the microphone models available in the Emisphere software?
-The microphone models in the Emisphere software represent iconic microphones that have been used in famous recordings, providing users with the ability to emulate the sound of these classic microphones without needing the actual hardware.
Can the Emisphere plugin be used with Universal Audio's Apollo interface?
-Yes, the Emisphere plugin can be used with Universal Audio's Apollo interface, allowing for real-time adjustments and integration with the Apollo's preamps and other features.
What is the benefit of using the Emisphere plugin for recording guitar amps?
-The Emisphere plugin allows for greater flexibility in capturing and shaping the sound of a guitar amp. It enables users to experiment with different microphone models, proximity effects, and axis adjustments to find the perfect tone, even after the initial recording.
How does the video compare the traditional recording setup with the Hemisphere microphones?
-The video compares the traditional recording setup, which includes a Shure SM57 and a Royer 121, with the Hemisphere microphones by recording the same guitar amp and then playing back the recordings, highlighting the differences and similarities in sound quality and character.
Outlines
🎙️ Introduction to Universal Audio's New Microphones
Pete from Anderson TV introduces a new series of microphones from Universal Audio with Pedro, showcasing a departure from the usual content to focus on educational aspects of recording gear. The video delves into how guitars and other instruments are recorded, and the use of specific microphones. Pedro presents three new microphones from the Standard Series with UAD Sphere modeling, including the SD3 for versatile use, the SD7 for multiple instruments, and the SD5 for capturing low-end frequencies. The microphones come with special software that allows for sound sculpting post-recording, a feature that is unique and not found in traditional microphones.
🔊 Exploring UAD Sphere Modeling and Post-Recording Sound Options
The conversation continues with an explanation of UAD Sphere, a software modeling technology that allows users to change the sound characteristics of the microphones post-recording. This feature is likened to reamping a guitar amp, providing flexibility in the recording process. The software includes a library of microphone models that can be applied to the recordings, and also features like proximity effect adjustment and axis control, which can simulate the physical movement of the microphone relative to the sound source.
🎵 Hands-On with Universal Audio's Standard Series Microphones
The hosts transition to a hands-on demonstration, setting up the new microphones to record guitar. They compare the sound of the SD3 and SD7 microphones with traditional dynamic mics, noting the differences in warmth and low-end response. The discussion highlights the value of the new microphones, which offer high-quality sound at a fraction of the cost of traditional models. The video also touches on the use of the UAD plugin with an Apollo interface for real-time sound shaping during recording.
📈 Comparing Microphone Models and Sound Characteristics
The video script describes a detailed comparison of the microphone models using the UAD Sphere plugin. The hosts load different microphone models into the plugin to see how they affect the sound of the recorded guitar. They discuss the importance of knowing the source microphone used for accurate modeling and the ability to explore different microphone characteristics, such as the iconic sound of the Shure SM57, even after the recording has been made.
🎛️ Fine-Tuning with Axis Control and Proximity Effects
The hosts explore the advanced features of the UAD Sphere plugin, such as axis control and proximity effect, which allow for fine-tuning the sound of the recorded tracks. They demonstrate how these features can simulate the physical positioning and distance of the microphone to the sound source, offering a new level of control over the recording. The conversation emphasizes the value of these post-production sound-shaping tools and their impact on the final mix.
🎶 Reflecting on the Recording Process and the Value of Modeling
The script concludes with reflections on the recording process, emphasizing the importance of mic placement and the value of having the flexibility to change the microphone model and settings after recording. The hosts discuss the cost-effectiveness of the new microphones and the UAD Sphere plugin, which provide access to a wide range of microphone models at a fraction of the cost of traditional high-end microphones. They also touch on the subjective nature of sound preference and the potential for the plugin to enhance the recording experience.
🍽️ Wrapping Up the Session and Future Plans
In the final part of the script, the hosts wrap up the session by expressing their enthusiasm for the new microphones and the UAD Sphere plugin. They discuss plans for future videos on their tech channel, encouraging viewers to subscribe and engage with their content. The conversation ends on a casual note, with an invitation to have lunch and a reminder for viewers to check out the links provided in the video description for more information.
Mindmap
Keywords
💡Universal Audio
💡Hemisphere Microphones
💡SD-3, SD-5, SD-7
💡Microphone Modeling
💡Proximity
💡Axis
💡Unison
💡DSP
💡Luna
💡Value for Money
Highlights
Introduction to Universal Audio's new Hemisphere microphones.
The SD-3, SD-5, and SD-7 microphones are part of the Standard Series with Hemisphere modeling.
The SD-3 is versatile for use with drums, guitars, and other instruments.
The SD-7 is suitable for percussion, drums, brass, and guitars.
The SD-5 is ideal for capturing low-end sounds from kick drums and bass guitars.
Hemisphere microphones come with unique software for sound sculpting.
The plugin allows users to change microphone models post-recording.
Users can emulate different microphones without changing the physical mic.
Proximity effect can be adjusted in the plugin for each microphone model.
Axis feature lets users refine the sound by tilting the microphone post-recording.
The microphones come with free emulations, enhancing their value.
The plugin works with or without an Apollo interface.
Recording setup with a Telecaster guitar and Victory V40 amplifier.
Comparison of the SD-3 and SD-7 microphones with the traditional setup.
Demonstration of the plugin's ability to emulate the sound of a Neumann U87.
The affordability of the Hemisphere microphones compared to traditional high-end mics.
Practical applications of the microphones on various instruments and genres.
The plugin's potential to change the sound during the mixing process.
Final thoughts on the value and flexibility of Universal Audio's Hemisphere microphones.