NEW UA MICS - Standard Microphone Series: SD-3, SD-5, SD-7 with Hemisphere Modelling

Long & McQuade Musical Instruments
14 May 202408:18

TLDRIn this video, Andre from Long McQuade introduces Universal Audio's new microphones to the Standard Series, including the SD-3, SD-5, and SD-7, which are perfect for a drum mic package when paired with the SC1 and SP1 condensers. The microphones feature Hemisphere Modeling software, allowing users to emulate classic microphones in real-time or post-production. The video showcases a full drum set demo with various mic placements and settings, highlighting the versatility and sound quality of the new series.

Takeaways

  • 🎙️ Universal Audio has introduced new microphones to their Standard Series family: SD-3, SD-5, and SD-7, which are ideal for a drum mic package.
  • 🔍 These new microphones can be paired with the previously released SC1 large diaphragm condenser and the SP1 pencil condenser microphones for a comprehensive recording setup.
  • 🌐 The microphones come with Hemisphere Modeling software, allowing users to emulate the sound of classic microphones.
  • 📅 An update to the Hemisphere UAD2 software is expected in May, offering real-time monitoring and plugin capabilities for Apollo users.
  • 🎵 The video features a full drum set demonstration, showcasing the capabilities of the new microphones in various recording scenarios.
  • 🔧 The video was recorded using an all-UA environment, including the Apollo 8xp interface and UA software like Luna DAW.
  • 🎛️ The presenter demonstrates the Hemisphere Modeling software, showing how it can be used to switch between different classic microphone sounds.
  • 📈 The video includes a mix demonstration, where different microphones are used on various drum parts to create a rich and dynamic sound.
  • 🔊 The use of the Axis knob in the Hemisphere software is highlighted, showing how it can be used to adjust the tone of the microphones.
  • 📹 The video was recorded neutrally with the Standard Series microphones, and all effects were added in post-production, allowing for flexibility in the mix.
  • 👍 The video concludes with an encouragement for viewers to like, subscribe, and check out the links in the description for more information on the microphones.

Q & A

  • What is the announcement from Universal Audio mentioned in the video?

    -Universal Audio has announced the addition of new microphones to their standard series family, specifically the SD-3, SD-5, and SD-7 microphones.

  • What makes the new microphones an amazing drum mic package?

    -The new microphones, when paired with the previously released SC1 large diaphragm condenser and the SP1 pencil condenser, form an amazing drum mic package due to their versatility and compatibility.

  • What software feature is included with the new microphones?

    -The new microphones come with Hemisphere Modeling software, which allows users to simulate the sound of different classic microphones.

  • What is the significance of the upcoming release of the Hemisphere UAD2 software in May?

    -The Hemisphere UAD2 software will enable real-time monitoring through the plugin for Apollo users, providing more options for sound shaping during recording or post-production.

  • What other microphones are part of the Universal Audio family mentioned in the script?

    -Other microphones in the Universal Audio family include the SD1 dynamic, UA Sphere LX, and UA Sphere DLX large diaphragm condenser mics.

  • What is the purpose of the Apollo 8xp in the recording setup described in the video?

    -The Apollo 8xp is used for tracking in the all-UA environment, providing connectivity and access to plugins and the Hemisphere modeling software.

  • How does the video demonstrate the versatility of the microphones?

    -The video demonstrates the versatility by showing the use of different microphones for various drum kit components and adjusting the sound using the Hemisphere software.

  • What is the benefit of recording neutrally with the standard series microphones?

    -Recording neutrally allows for flexibility in post-production, enabling the sound engineer to apply effects and adjust the mix without being locked into a particular sound during recording.

  • Can you provide an example of how the Axis knob in the Hemisphere software is used?

    -The Axis knob in the Hemisphere software is used to adjust the tone of the microphone, as demonstrated when the presenter intentionally played with the Axis to achieve a different sound.

  • What microphones were used for the snare drums in the mix example provided in the video?

    -The CIS 441 was used on the first snare for a cracky and punchy sound, while the RB 160 was used on the second snare.

  • How does the video conclude?

    -The video concludes with a demonstration of the final drum mix, which sounds like a huge stadium rock band, and a reminder for viewers to like, subscribe, and check out the links for more information.

Outlines

00:00

🎙️ Universal Audio's New Microphone Series Introduction

Andre from Long McQuade introduces Universal Audio's new microphones to the standard series family, including the SD3, SD7, and SD5, which are ideal for a drum package when combined with the previously released SC1 large diaphragm condenser and SP1 pencil condenser microphones. The package comes with Hemisphere modeling software, which will be demonstrated. Andre also mentions the upcoming release of the Hemisphere UAD2 software in May, which will allow real-time monitoring through the plugin for Apollo users. The video includes a full drum set miked up for the demo and other microphones from the family, such as the SD1 dynamic and the UA Sphere LX and DLX large diaphragm condenser mics.

05:01

🔊 Exploring the Drum Mix with Universal Audio Microphones

The second paragraph delves into the details of a drum mix created using Universal Audio microphones. Andre discusses the use of specific microphones for different drum components, such as the Beta 52 on the resonator kick drum head for a booming sound and the D112 on the beater head. He also mentions the use of the CS 441 for the first snare, providing a cracky and punchy sound, and the RB 160 for the second snare. The ODX DN4 is used for the tom mics, and AKG SD 56 is Andre's favorite for overheads. The AKG 414 serves as the room mic. The mix is described as sounding like a huge stadium rock band, and Andre appreciates the flexibility of the Hemisphere software's axis knob for tone adjustments. The video concludes with Andre encouraging viewers to like, subscribe, and check out the microphone web links for more information.

Mindmap

Keywords

💡Universal Audio

Universal Audio is a company renowned for its high-quality audio equipment and software. In the context of the video, Universal Audio is announcing new microphones to their standard series family, which are designed to enhance the recording experience for musicians and audio engineers. The script mentions the excitement around these new products and their integration with Universal Audio's other offerings.

💡SD-3, SD-5, SD-7

These are the model numbers for the new microphones introduced by Universal Audio in their standard series. The script highlights these microphones as an 'amazing drum mic package', indicating their specialized use for capturing drum sounds in a recording setup.

💡Hemisphere Modeling

Hemisphere Modeling refers to the software feature that allows users to simulate the sound of various classic microphones. The video script describes a live demonstration of this software, showing how it can transform the sound of the new microphones to emulate the characteristics of well-known vintage microphones like the U47, U67, and U87.

💡Apollo

Apollo is a line of audio interfaces developed by Universal Audio. The script mentions that the new microphones can be monitored in real-time through the Apollo interface using the Hemisphere UAD2 plugin, which is significant for live recording sessions where instant sound shaping is required.

💡SC1 and SP1

SC1 and SP1 are models of microphones previously released by Universal Audio. The script positions them as complementary to the new SD series microphones, suggesting that they can be used together to create a comprehensive microphone package for various recording applications.

💡Drum Mic Package

A drum mic package refers to a set of microphones designed to capture the sound of a drum kit. The video script emphasizes the SD series microphones as part of an 'amazing drum mic package', indicating their suitability for recording drums with high fidelity.

💡Luna DAW

Luna DAW is a digital audio workstation software developed by Universal Audio. The script mentions its use in conjunction with the Apollo interface and other Universal Audio products, highlighting the seamless integration within the company's ecosystem for recording and mixing.

💡Console UA Connect

Console UA Connect is a software feature that allows for the integration of Universal Audio's Console software with other audio hardware and software. The script describes using it to access plugins and the Hemisphere modeling, indicating its role in the workflow for recording and post-production.

💡Axis Knob

The Axis Knob is a feature within the Hemisphere software that allows users to adjust the tonal balance of the emulated microphone. The script gives an example of how moving the Axis Knob can significantly alter the sound, providing a hands-on demonstration of its functionality.

💡Miking Techniques

Miking techniques refer to the methods used to position and use microphones to capture sound. The video script discusses various miking techniques used in the demo, such as placing specific microphones like the Beta 52 on the resonator kick drum head and the D112 on the beater head, to achieve desired sound characteristics.

💡Post-Production

Post-production in audio refers to the process of editing and mixing recorded sounds after the initial recording session. The script mentions that all drum sounds were recorded neutrally with the standard series microphones and that the Hemisphere effects were added in post-production, allowing for flexibility in the final mix.

Highlights

Introduction of Universal Audio's new microphones: SD-3, SD-5, and SD-7 to the Standard Series family.

The new microphones are part of an amazing drum mic package when paired with the SC1 and SP1 condensers.

Inclusion of Hemisphere Modeling software with the microphone package.

Upcoming release of Hemisphere UAD2 software in May for real-time monitoring or post-production.

Demonstration of a full drum set miked up for the audio demo.

Other microphones in the family include the SD1 dynamic and UA Sphere LX and DLX large diaphragm condenser mics.

Use of Apollo 8xp for tracking in an all UA environment with Luna DAW and Console UA.

Live monitoring with Console and demonstration of Hemisphere modeling software.

Comparison of different microphone models using Hemisphere software: U47, U67, U87, LD 103, LD12, 251, 414, and LD800.

Ability to print Hemisphere effects directly to tape or DAW with an Apollo unit.

Post-production application of microphone effects on a drum recording.

Mix details: Beta 52 on resonator kick drum head and D112 on beater head for a boomy sound.

Snare drum sound comparison: CIS 441 for a cracky, crisp, and punchy sound; RB 160 for a different snare.

Use of the Axis knob in Hemisphere software to adjust tone and create different sounds.

Tom drum sound: ODX DN4 for a thumpy introduction.

Overhead microphone choice: AKG SD 56 as a favorite for capturing the sound.

Room mic selection: AKG 414 for capturing the overall sound of the drum kit.

Final drum mix described as sounding like a huge stadium rock band.

Encouragement to like, subscribe, and check out the microphone web links for more information.

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