AMAZING Realistic Octopus Swipe With A Stencil! 🐙 Deep Sea Fluid Painting

Anna Blount Art
3 Oct 202233:10

TLDRAnna, the artist, shares her creative process of painting a realistic octopus using a stencil on a fluid-painted background. She starts with a dark navy background, then adds a shimmering fluid paint layer with colors like phthalo green, metallic teal, and mica powder. After the background dries, she carefully applies an octopus stencil and paints the creature with acrylics mixed with silicone oil to create a bubble-like texture. She adds details like eyes and shading to give the octopus a three-dimensional appearance. The finished piece showcases the metallic and color-shifting mica powder elements against the fluid background, with the octopus looking both abstract and realistic.

Takeaways

  • 🎨 Anna is creating a deep sea fluid painting featuring an octopus with a stencil technique.
  • 🌊 She loves ocean creatures and is excited to bring her vision of an octopus to life.
  • 🖼️ The painting consists of two layers: a background that is poured and dried first, followed by the octopus shape.
  • 🔵 The background color is a mix of lacrylic, phthalo blue, and apple Barrel black.
  • 🌿 Additional colors used include phthalo green, metallic teal, and a mica powder that shifts from blue to purple.
  • 💧 All paints are mixed with Floetrol and water for the right consistency.
  • 🔥 After pouring the paint, Anna uses a torch to create more cells and bubbles in the fluid paint.
  • 🐙 An octopus stencil is applied to the dried background, which is then painted with acrylics mixed with silicone oil for a bubbled texture.
  • 🔶 The metallic teal in the background shimmers and will pop more after varnishing.
  • ✨ The final touch includes adding a glow-in-the-dark element to the octopus and painting the pupil with a rectangular shape to mimic an octopus's eye.
  • 👀 Attention to detail is paid during the stencil removal to ensure the paint layer separates cleanly and to correct any minor tears with a brush.

Q & A

  • What is the theme of the painting that Anna is creating?

    -The theme of the painting is an octopus, inspired by Anna's love for ocean creatures.

  • How many layers does Anna plan to use for the painting?

    -Anna plans to use two layers for the painting: a background layer and an octopus shape layer on top.

  • What are the main colors used in the background of the painting?

    -The main colors used in the background are a dark navy mix of lacrylic, phthalo blue, and apple Barrel black, phthalo green, metallic teal, and a mica powder called chameleon powder that shifts from blue to purple.

  • What is the purpose of using Floetrol in the paint mixture?

    -Floetrol is used in the paint mixture to achieve a medium, thin to thin consistency that flows easily off of the stick, which is ideal for the fluid painting technique Anna is using.

  • How does Anna create the cells and bubbles effect in the painting?

    -Anna creates the cells and bubbles effect by using a torch to heat the paint and by tilting the canvas to move the paint around, allowing cells to form as the paint spreads out.

  • What is the stencil used for in the painting process?

    -The stencil is used to create the shape of the octopus on the painting. It is placed on the dried background layer and painted over to add the octopus to the scene.

  • What is the significance of the metallic teal color in the painting?

    -The metallic teal color is significant because it adds a shimmering effect to the painting, which is most noticeable in the swirled background and is expected to pop more when varnished.

  • How does Anna ensure that the stencil adheres well to the canvas?

    -Anna uses a hairdryer to warm up the sticky vinyl of the stencil, ensuring it adheres well to the canvas surface. She also uses blue tape around the edges of the stencil to prevent paint from getting on the background.

  • What technique does Anna use to add texture to the octopus shape?

    -Anna uses a technique involving silicone oil mixed with acrylic paint and palette knives to swipe and create a bubbled look that mimics the texture of an octopus's skin.

  • What is the purpose of adding glow-in-the-dark paint to the octopus?

    -The glow-in-the-dark paint is added to the octopus to create a cool effect where the octopus will have a transparent appearance when dry but will glow in the dark, adding an extra element of interest to the painting.

  • How does Anna address any mistakes or imperfections in the painting?

    -Anna addresses mistakes or imperfections by carefully peeling off the stencil, using a brush to tweak areas where the paint edge is torn or messed up, and adding details like eyes and shading to enhance the three-dimensional appearance of the octopus.

Outlines

00:00

🎨 Introduction to the Ocean-Inspired Art Project

Anna welcomes viewers to her art channel and expresses her excitement for the painting she will be showcasing. She loves ocean creatures and plans to paint an octopus in two layers: first the background, followed by the octopus shape. She describes her process of using various acrylic paints mixed with Floetrol and water to achieve the right consistency. Anna also mentions using a mica powder for color shifting effects. She covers the sides of a 12x12 canvas with a dark navy color and begins to layer the background with different shades of blue and green, aiming for a blended effect. She then uses a torch to enhance the cell-like patterns in the paint before tilting the canvas to move the paint around.

05:01

🌟 Adding Shimmer and Preparing the Octopus Stencil

After the background dries, Anna notes the dark yet shimmery appearance, particularly from the metallic teal. She then introduces her octopus stencil, which was cut from vinyl using a Cricut machine. The stencil is carefully applied to the canvas, with a transfer sheet used to ensure the tentacles stay in place. Anna uses a hairdryer to warm the vinyl and ensure it adheres well to the canvas. She also adds blue tape around the edges of the stencil to prevent paint from seeping underneath.

10:03

🦑 Painting the Octopus with Silicone Bubbles

Anna outlines her color palette and technique for painting the octopus, emphasizing the use of silicone to create a bubbled texture reminiscent of an octopus's skin. She mixes various acrylic paints with Floetrol and adds a drop of silicone oil to each. She also includes glow-in-the-dark paint for an additional effect. Using palette knives, Anna applies the paint to the stencil, aiming to create a pattern that follows the shape of the octopus's tentacles. She adjusts the colors as needed, using a dirty pour technique to fill in the shape of the octopus.

15:04

🖌️ Refining the Octopus and Adding Details

After painting the octopus, Anna assesses the body as looking bland and decides to add more red and copper colors. She uses paper towels to drag the paint across the canvas, creating additional striping. She then carefully removes the stencil, taking precautions to avoid damaging the paint. Anna is pleased with the texture and three-dimensional effect of the paint, but notes minor areas that need touch-ups, which she addresses with a brush.

20:06

👀 Adding the Octopus's Eyes and Final Touches

Anna decides to add eyes to the octopus, noting that they are an important feature. She creates a rectangular pupil, typical of octopuses, and adds shading to the body to enhance the three-dimensional appearance. She also considers adding more details but opts to keep the painting abstract yet realistic. Once the paint dries, she plans to add the eye spot for a finishing touch.

25:09

🎉 Completion and Reflection on the Artwork

Anna completes the painting by adding the pupil to the octopus's eye, which she feels looks perfect. She admires the three-dimensional effect of the shading and the metallic shine of the background. She believes the metallic colors will pop more once varnished. Anna expresses her satisfaction with the outcome and her intention to create more paintings using stencils. She thanks viewers for watching and encourages them to explore her channel for more ocean-inspired techniques.

Mindmap

Keywords

💡Fluid Painting

Fluid painting, also known as pour painting, is a technique where paint is poured or splashed onto a canvas to create a unique design. In the video, the artist Anna uses this technique to create a background for her octopus painting, allowing the colors to blend and flow organically.

💡Octopus

An octopus is a sea creature known for its eight arms, superb camouflage capabilities, and intelligence. In the video, Anna is painting an octopus using a stencil to create a realistic shape, which is the central theme of her artwork.

💡Stencil

A stencil is a template used to create a design by cutting out shapes or letters from a material such as vinyl or paper. Anna uses a vinyl stencil cut in the shape of an octopus to define the creature's form on her canvas.

💡Mica Powder

Mica powder is a color-shifting pigment that adds a shimmering effect to paint. Anna mentions using a chameleon powder from Let's Resin, which shifts from blue to purple, to add a special effect to her painting.

💡Floetrol

Floetrol is a paint conditioner that extends the working time of acrylic paints, allowing them to level out and dry to a matte finish. It is mixed with the paints in the video to achieve the desired consistency for fluid painting.

💡Palette Knife

A palette knife is a tool used by artists for mixing and applying paint. In the video, Anna uses a palette knife to swipe the paint and create the bubbled texture on the octopus's tentacles and body.

💡Glow-in-the-Dark Paint

Glow-in-the-dark paint contains phosphorescent pigments that absorb light and then emit it in the dark. Anna includes this type of paint in her octopus to add a unique visual element that will be visible in low light conditions.

💡Silicone Oil

Silicone oil is added to acrylic paints to create a bubbly, cell-like texture. Anna mixes a few drops of silicone oil with her paint colors to achieve the distinctive skin-like appearance of the octopus.

💡Dirty Pour

A dirty pour is a fluid painting technique where different colors of paint are poured onto a canvas and then spread around without mixing to create a marbled effect. Anna considers using this technique to add more depth to the octopus's body.

💡Torch

In the context of painting, a torch refers to using a heat source to manipulate the paint on the canvas, which can create unique patterns and textures. Anna uses a heat gun to encourage the formation of cells in the paint.

💡Varnishing

Varnishing is the process of applying a protective finish to an artwork, often to enhance its appearance. Anna mentions that once the painting is varnished, the metallic colors will pop more, indicating that varnish will be the final step in completing her artwork.

Highlights

Anna is excited to share a new painting technique featuring an octopus using a two-layer approach.

The background is painted first in dark navy, a mix of acrylic colors, and allowed to dry before adding the octopus shape.

Anna uses a variety of acrylic paints mixed with Floetrol and water for a medium consistency.

A unique color-shifting mica powder called 'blue' from Let's Resin is used, which transitions from blue to purple.

The painting process involves a straight pour technique to create an organic and beautiful fluid design.

A heat torch is used to encourage more cell formation and bubble details in the paint.

The canvas is tilted to move the paint and achieve full coverage, creating a thin, fast-moving layer.

Anna uses a stencil of an octopus, cut from vinyl by a friend with a Cricut, to add the main subject to the painting.

The stencil is carefully applied and secured with blue tape to prevent paint from seeping underneath.

Silicone oil is added to the paint colors to create a bubbled look reminiscent of octopus skin texture.

Palette knives are used to swipe through the paint, building up the octopus's tentacles with a realistic texture.

Anna adds white to the tentacles for highlights and uses a dirty pour technique to fill in the octopus's body shape.

After the paint dries, the stencil is carefully removed, revealing the detailed octopus shape with bubble-like cells.

Minor touch-ups are done with a brush to fix any areas where the paint edge was affected by removing the stencil.

The octopus is given lifelike eyes, with a special attention to the rectangular shape of their pupils.

Shading is added to the tentacles and body for a three-dimensional effect, enhancing the realism of the painting.

The metallic teal and mica powder in the background shimmer and shift colors, adding depth to the overall piece.

Anna expresses her satisfaction with the outcome and plans to create more paintings using stencils in the future.

The final piece is a stunning combination of abstract and realistic elements, with a unique fluid painting background.